- Short-cuts : Solid Body Electric Guitars
- LP-Shaped Guitars (2)
- STC-Shaped Guitars (5)
- Other Shape Guitars (8)
The Flying V Faded is based on the late-sixties V design in which the three control knobs form a triangle, not the fifties design in which they form a straight line. It's got the usual V features: two humbuckers, mahogany body, ebony fingerboard, and penis-shaped silhouette.
The following things distinguish the Faded version of the V from the non-faded version: It has one coat lacquer as opposed to several, it comes with a gigbag rather than a hard case, it costs significantly less money. You could actually buy this guitar and then buy a hardcase from Gibson and you'd still be paying less money than for the non-faded V. The missing coats of lacquer do not make a difference to the sound (unless, I suppose, you're playing it under water).
The following things distinguish the Faded version of the V from the non-faded version: It has one coat lacquer as opposed to several, it comes with a gigbag rather than a hard case, it costs significantly less money. You could actually buy this guitar and then buy a hardcase from Gibson and you'd still be paying less money than for the non-faded V. The missing coats of lacquer do not make a difference to the sound (unless, I suppose, you're playing it under water).
Many people who have never actually played a Flying V mistakenly think it will be a) heavy, and b) awkward feeling. The guitar is way lighter and easier to play than a Les Paul, and far more well balanced than an SG (which, to me, always feels like it's going to fall if you don't hold the neck up). Very easy to play and very comfortable to wear.
I guess if you like playing sitting down you wouldn't want one, because it can't be done very well. Standing up, though, it's very nice. In keeping with its comically-phallic aesthetic, it fits snuggly into the crotch. Oh la la!
I guess if you like playing sitting down you wouldn't want one, because it can't be done very well. Standing up, though, it's very nice. In keeping with its comically-phallic aesthetic, it fits snuggly into the crotch. Oh la la!
The ceramic magnet pickups that come with this guitar (and all Flying Vs) are good for metal. By "good for metal" I mean that they are extremely high-output and make even the warmest-sounding tube amp sound like you've plugged the guitar directly into a cheap solid-state PA system. If you do not play metal I highly recommend that you replace the stock pickups. I swapped mine out for for Gibson '57 Classics and, along with the hardcase upgrade I mentioned earlier, this is now my main gigging guitar. Furthermore, I made back much of the money I spent by selling the old pickups and the gigbag, but even had I not sold them I still would have spent less on this guitar than I would have on the non-faded V. And the new pickups make this one sound so much better!
I've had this guitar for about two years. I'm not into metal, and neither are my friends or bandmates (we're all into pretentious hipster music), so whenever I play the V they're always skeptical, until they try it out. Once they try it out, they all say they want one. I kind of bought this guitar as a joke; I was planning on starting a joke metal band and then reselling it, but I'm totally serious about it now. After switching the pickups the guitar just sounds great, and it played great from day one. And, of course, it looks, well, hilarious.
The Strat Plus was like an American Standard Strat plus some extra features. So, like the American Standard, it had three single coil pickups, a five-way selector switch, one volume knob, two tone knobs, and a choice of maple or rosewood fretboard (mine is maple).
The Plus had the following upgrades: ultra-low-noise Lace Sensor pickups, a rolling nut, locking tuners, a Hipshot Tremsetter. With the exception of the pickups, all the upgrades are meant to help the guitar stay in tune better.
The Plus had the following upgrades: ultra-low-noise Lace Sensor pickups, a rolling nut, locking tuners, a Hipshot Tremsetter. With the exception of the pickups, all the upgrades are meant to help the guitar stay in tune better.
I love this guitar! I bought it new in 1992 and it's been my main guitar since. I've tried a couple of vintage Strats, a couple of really nice custom shop ones, and a few boutique copies of vintage Strats that I like better. All of these were three to four times the cost of this one when new (used they continue to go for a lot less). In terms of playability and sound quality I have never encountered a non-custom shop Strat manufactured by Fender after 1975 that I liked as much or more. I've also seen many custom shop models selling for as much as $3K which I did not like nearly as much.
I should also say that the older Strat Plus models came with a roller nut that didn't do its job right. Fender sells a replacement nut for these older ones, and this replacement is easy to do and makes a big difference in terms of tone and feel.
I should also say that the older Strat Plus models came with a roller nut that didn't do its job right. Fender sells a replacement nut for these older ones, and this replacement is easy to do and makes a big difference in terms of tone and feel.
People sometimes complain about Lace Sensors being lifeless or cold, but I really don't see it that way. The Lace Sensors have a transparency that lets the sound of the strings, the wood, and your fingers come through even when using lots of effects. If they sound lifeless to you, maybe it's your playing that lacks life.
I admit there's something pretty special about the pickups Fender was putting in Strats in the years around 1970, and someday I might put a set of custom shop pickups in this guitar, but I don't feel any real need right now. The Sensors give great Strat tone, they sound better than most current production Fender pickups, and they have as much personality as my technique. I don't think it's a flaw that they don't have more personality than my technique.
I admit there's something pretty special about the pickups Fender was putting in Strats in the years around 1970, and someday I might put a set of custom shop pickups in this guitar, but I don't feel any real need right now. The Sensors give great Strat tone, they sound better than most current production Fender pickups, and they have as much personality as my technique. I don't think it's a flaw that they don't have more personality than my technique.
If you want to buy a newer (post-CBS) Strat, I would recommend the Strat Plus or a custom shop model. If you go with the Strat Plus you will have money left over to buy a decent amp.
One last thing, this may matter more to some than to others, but, as you probably know, Fender has usually painted their guitars whatever colors cars were being painted at the same time, and as you probably also know, cars in the early 1990s were often really really ugly. It was the era of the metallic-neon-flash. Fenders from this era can thus be pretty ugly, but I find the sound and playability to be top notch.
One last thing, this may matter more to some than to others, but, as you probably know, Fender has usually painted their guitars whatever colors cars were being painted at the same time, and as you probably also know, cars in the early 1990s were often really really ugly. It was the era of the metallic-neon-flash. Fenders from this era can thus be pretty ugly, but I find the sound and playability to be top notch.
This is the Fender telecaster that is manufactured in Mexico. It has 22 frets, as well as the standard telecaster setup as far as bridge and pickups. The simple bridge and the two pickups - one standard single coil and one of the lipstick types. It's got a volume knob and a tone knob for bass/treble balance. In addition, there is a pickup selector for switching between each pickup or both. The neck is a blonde hardwood.
All of the telecaster makes seem to play quite nicely - even down to the Squier variety. The neck has a very smooth feel that is great to play. There is a large cut in the body on the telecaster so access to those high notes is easy. The design is very ergonomic for standing or sitting. Telecasters have a very distinct sound - so if you like the sound of a telecaster then it won't be hard to dial up something you like.
The telecaster is generally best suited for country music, and certain kinds of pop or alternative where you want sort of a twangier or more jangly sound. This is where the telecaster shines. This particular make though - the mexican manufactured one - is definitely a bit inferior to the american counterpart. The american guitar is built more solidly, and it's easier to get a nice sustain on it. The mexican version uses cheaper wood and components, so the sound does suffer a bit. However - this guitar still generally sounds good. The best sounds seem to be clean or with perhaps light distortion, on twangy lead lines or light chord comping. The new age wall of distorted guitar comes through a bit weak when played with a telecaster however.
I've had one of these for about 3 years. I like the easy, smooth playability and its unique twangy tone. A caveat is it's relative lack of versatility when compared to say a stratocaster. However, used in the right context - telecasters sound really great. I've tried a wide variety of electric guitars. Since it's mexican made, you save a few hundred bucks. If you're really a stickler for great sound, it's probably worth the extra money for an american telecaster. But if you're a newer guitar player - this is still a great deal and a nice sounding guitar. At this point I personally would opt for the American version, but this guitar is still not bad at all.
- In What Country was it made?
Japan
- How many frets, Pickup Type and Configuration?21 Fret, Dual-Coil Humbucker @ Neck & Bridge
- What type of Bridge(Floyd, Wilkinson...)?
Fixed Bridge
- What are the setting controls (volume, tone, pickup selector position)?Independant Pick-Up volume controls, Master Tone Control, 3-Way Selector Switch
- What type of neck?...Maple w.Rosewood Fretboard
Japan
- How many frets, Pickup Type and Configuration?21 Fret, Dual-Coil Humbucker @ Neck & Bridge
- What type of Bridge(Floyd, Wilkinson...)?
Fixed Bridge
- What are the setting controls (volume, tone, pickup selector position)?Independant Pick-Up volume controls, Master Tone Control, 3-Way Selector Switch
- What type of neck?...Maple w.Rosewood Fretboard
- Does the neck have a nice feel?Solid feel, no snags or roughness, narrow enough for smaller hands
- Easy access to the top notes (last frets)?Somewhat strained, cut-outs not quite deep enough but manageable
- Is it's design ergonomic(in terms of the shape, weight...)?
Heavier than most 'Strat'-styles, but easily stays on your lap. Shape is contoured so that knobs & selector switch don't get knocked.
- Can one easily get a nice sound?...
One of the nicest "affordable off the rack" guitars seen lately. Good tone, pick-up response is good, no electric buzzing, action is medium with no fret-buzz even at the top frets, intonation was almost perfect.
- Easy access to the top notes (last frets)?Somewhat strained, cut-outs not quite deep enough but manageable
- Is it's design ergonomic(in terms of the shape, weight...)?
Heavier than most 'Strat'-styles, but easily stays on your lap. Shape is contoured so that knobs & selector switch don't get knocked.
- Can one easily get a nice sound?...
One of the nicest "affordable off the rack" guitars seen lately. Good tone, pick-up response is good, no electric buzzing, action is medium with no fret-buzz even at the top frets, intonation was almost perfect.
- Does it suit your style of music?
Should easily suit most needs
- With what amp(s) or effect(s) do you use it?
100watt Crate amp with Zoom effects box
- What kind of sounds do you get and with what settings(clean, distorted,...)?
No out of the ordinary sounds, strings ring clear with nice sustain in clean or distortion
- What are your favorite sounds and/or least favorite?
I prefer both Clean and Distortion with Chorus, Reverb, Delay
Should easily suit most needs
- With what amp(s) or effect(s) do you use it?
100watt Crate amp with Zoom effects box
- What kind of sounds do you get and with what settings(clean, distorted,...)?
No out of the ordinary sounds, strings ring clear with nice sustain in clean or distortion
- What are your favorite sounds and/or least favorite?
I prefer both Clean and Distortion with Chorus, Reverb, Delay
- For how long have you been using it?
Purchased the other day, can't put it down!
- What thing do you like most/least about it?
I actually prefer the extra weight as it won't wander in your lap or sway too much with a strap. There is very little I don't like about the guitar.
- Did you try many other models before getting this one?
Tried lots of models within $200-350 range. Close second to this one would be a Godin.
- What is your opinion about the value for the price?
Excellent value for your buck.
- Knowing what you know now, would you make the same choice?
Definitely
Purchased the other day, can't put it down!
- What thing do you like most/least about it?
I actually prefer the extra weight as it won't wander in your lap or sway too much with a strap. There is very little I don't like about the guitar.
- Did you try many other models before getting this one?
Tried lots of models within $200-350 range. Close second to this one would be a Godin.
- What is your opinion about the value for the price?
Excellent value for your buck.
- Knowing what you know now, would you make the same choice?
Definitely
Gibson Les Paul BFG (Barely Finished Guitar)
Built by Gibson USA
Mahogany body, maple table in a wood milled "Tiger"
22 Medium Jumbo frets - Neck profile Rounded 50s glued to the 16th
Tune-O-Matic Bridge / Stop Bar
Pickups P-90 in neck position and Burstbucker Zebra 3 at bridge.
2 volumes - 1 tone - 1 switch selector micro instead of the second tone
An unusual feature of this model, the Kill Switch instead of the usual position selector microphones. Its purpose is "turn off the guitar"
Built by Gibson USA
Mahogany body, maple table in a wood milled "Tiger"
22 Medium Jumbo frets - Neck profile Rounded 50s glued to the 16th
Tune-O-Matic Bridge / Stop Bar
Pickups P-90 in neck position and Burstbucker Zebra 3 at bridge.
2 volumes - 1 tone - 1 switch selector micro instead of the second tone
An unusual feature of this model, the Kill Switch instead of the usual position selector microphones. Its purpose is "turn off the guitar"
The neck does not stick because it is satin finish, it is becoming increasingly fluid as with the other models of the series "Faded"
She is light for a Les Paul
She is light for a Les Paul
For my, this guitar is made ideally for the Blues.
Hello,
So the real significance of BFG is Barely Finished Guitar
In recent months, following various changes in my life, I went back to the guitar after a ruling 15 years ...
My first visits to shops instruments greatly disturbed me ...
The Fender Mex at a price of US (at the time) and other increases, modelling and many other things made me realize that I had a few time behind.
In fact, I wanted to return to her that I had at the time with the Gibson Les Paul, a Deluxe Pro of the year 1977 (two P-90) in a good Fender amp tube.
After extensive research and hesitations and especially given that the model in question is not found at that time, I resolved to take a PRS Singlecut Soapbar.
But it still was not what I was looking for, in the meantime, my game had changed and my tastes are more affirmed (Cotton Blues until more modern blues of different types, Texas, Chicago, the Louisiana brief rally starting Delta (Highway 61)
My main access to news, test and criticism being the net, I had already seen this BFG which could respond to my mind my expectations (I play with the neck pickup only on all my guitars) So the P-90 in handle perfect position on a Gibson Les Paul.
Unfortunately, after having read many opinions who criticized especially the poor finish, the 50's neck qualified as "not comfurtable" and also big problems of noise. That scared me because my electric facility is not equipped to take ground (I am a tenant, I can change the installation)
After some time, I did acquire a Faded SG Worn Brown at a price promo at an open-door day. I was really amazed by the satin finish, the absence of varnish thick wood allows better "breathed"
I was on my hunger for a Les Paul and resold after having several things in my old hobby, I made several purchases including an LP Standard Faded in Honey Burst series that I discovered while reading various post on the net.
I think that people who qualify for the Faded "sub-Gibson" or "gibson of the poor" are not objective, I had also been misled in response to their opinions and also on the weight.
Finally, I found a Les Paul with whom the feeling passed.
But I had still not found a real LP with P-90 (and Historic collection is too expensive)
In recover from a guitar that I tabled for review at my luthier, I saw the BFG, which I had heard so hard.
In Trans Black, the finish did not matter to me, I found it rather mild compared to the view that I had read. The neck satin well fluid, transparent plates are nice, well-polished and frets without being trendy, guitar sounded good, remained the problem of "buzz"
Plug in a Fender Blues Junior identical to mine, no noise except for the P-90 which responded well to my games, in such a drive, the combination of two excellent pickups, Burstbucker 3 easel later as well, but less used in my game
(This is the most powerful of this series to vintage structure, not dipped in wax, it includes a single magnet gross ALNICO II and enjoys a slight little more winding. Both coils of wire size 42 do not have the same number of laps, phénomêne current at the end of 50 years. micro That makes the less effective against interference but gives him a bite compared to a creamy its models equal to two coils)
The P-90 is not impregnated with wax too.
In terms of sound, after some time, I sensed that it was with this Les Paul that I found my sound, while taking into account the fact of my "maturity" more sophisticated level and blues music of my expectations.
My wife had already understood that the guitar was made for me, just by listening, in addition, I was virtually isolated from the outside world, immersed in the sound coming out of the amp. With the 50's neck, no problem despite my small hands ...
After discussions with my wife who had completely changed his mind about the finish of the guitar (as she said, the photos did not undermine the value) Game comfort, weight, etc ... We decided to make the acquisition.
Back at home, I set a black truss-rod cover that I had in reserve. The buttons add one side "wooded touch" guitar. For the switch to change a microphone, I ordered a black on the net.
Plugged in my Deluxe Reverb, not unpleasant buzz (thought to acquiring quality cables!) On the contrary, curves, deep, powerful and respected attacks, and sustain medium in front ...
It is amazing with Maxon 808 or OCD with or without the Fat Boost upstream, the DP-1 in the Junior Blues is great for a good Texas blues, Maxon OD-9 provides crunchs well bluesy ...
In the end, I am very pleased with my purchase, I found what I was looking like his guitar and does shock not in the middle of my material more "classical"
On this Gibson has been in the hunt for costs, combining artistic creativity, value analysis, marketing and boldness ...
Certainly, it does not please everyone, and from experience, I know that many people have easy criticism.
I think that when he formed opinions and made a critical, it is preferable to see a real and give it a try and after only give an opinion or criticism.
For me, with the truss-rod cover I added that, in my view, it is perfect.
My only regret is that it took into account the opinion that in the end are not appropriate in my case.
Like what tastes and colors ...
Kilroy
So the real significance of BFG is Barely Finished Guitar
In recent months, following various changes in my life, I went back to the guitar after a ruling 15 years ...
My first visits to shops instruments greatly disturbed me ...
The Fender Mex at a price of US (at the time) and other increases, modelling and many other things made me realize that I had a few time behind.
In fact, I wanted to return to her that I had at the time with the Gibson Les Paul, a Deluxe Pro of the year 1977 (two P-90) in a good Fender amp tube.
After extensive research and hesitations and especially given that the model in question is not found at that time, I resolved to take a PRS Singlecut Soapbar.
But it still was not what I was looking for, in the meantime, my game had changed and my tastes are more affirmed (Cotton Blues until more modern blues of different types, Texas, Chicago, the Louisiana brief rally starting Delta (Highway 61)
My main access to news, test and criticism being the net, I had already seen this BFG which could respond to my mind my expectations (I play with the neck pickup only on all my guitars) So the P-90 in handle perfect position on a Gibson Les Paul.
Unfortunately, after having read many opinions who criticized especially the poor finish, the 50's neck qualified as "not comfurtable" and also big problems of noise. That scared me because my electric facility is not equipped to take ground (I am a tenant, I can change the installation)
After some time, I did acquire a Faded SG Worn Brown at a price promo at an open-door day. I was really amazed by the satin finish, the absence of varnish thick wood allows better "breathed"
I was on my hunger for a Les Paul and resold after having several things in my old hobby, I made several purchases including an LP Standard Faded in Honey Burst series that I discovered while reading various post on the net.
I think that people who qualify for the Faded "sub-Gibson" or "gibson of the poor" are not objective, I had also been misled in response to their opinions and also on the weight.
Finally, I found a Les Paul with whom the feeling passed.
But I had still not found a real LP with P-90 (and Historic collection is too expensive)
In recover from a guitar that I tabled for review at my luthier, I saw the BFG, which I had heard so hard.
In Trans Black, the finish did not matter to me, I found it rather mild compared to the view that I had read. The neck satin well fluid, transparent plates are nice, well-polished and frets without being trendy, guitar sounded good, remained the problem of "buzz"
Plug in a Fender Blues Junior identical to mine, no noise except for the P-90 which responded well to my games, in such a drive, the combination of two excellent pickups, Burstbucker 3 easel later as well, but less used in my game
(This is the most powerful of this series to vintage structure, not dipped in wax, it includes a single magnet gross ALNICO II and enjoys a slight little more winding. Both coils of wire size 42 do not have the same number of laps, phénomêne current at the end of 50 years. micro That makes the less effective against interference but gives him a bite compared to a creamy its models equal to two coils)
The P-90 is not impregnated with wax too.
In terms of sound, after some time, I sensed that it was with this Les Paul that I found my sound, while taking into account the fact of my "maturity" more sophisticated level and blues music of my expectations.
My wife had already understood that the guitar was made for me, just by listening, in addition, I was virtually isolated from the outside world, immersed in the sound coming out of the amp. With the 50's neck, no problem despite my small hands ...
After discussions with my wife who had completely changed his mind about the finish of the guitar (as she said, the photos did not undermine the value) Game comfort, weight, etc ... We decided to make the acquisition.
Back at home, I set a black truss-rod cover that I had in reserve. The buttons add one side "wooded touch" guitar. For the switch to change a microphone, I ordered a black on the net.
Plugged in my Deluxe Reverb, not unpleasant buzz (thought to acquiring quality cables!) On the contrary, curves, deep, powerful and respected attacks, and sustain medium in front ...
It is amazing with Maxon 808 or OCD with or without the Fat Boost upstream, the DP-1 in the Junior Blues is great for a good Texas blues, Maxon OD-9 provides crunchs well bluesy ...
In the end, I am very pleased with my purchase, I found what I was looking like his guitar and does shock not in the middle of my material more "classical"
On this Gibson has been in the hunt for costs, combining artistic creativity, value analysis, marketing and boldness ...
Certainly, it does not please everyone, and from experience, I know that many people have easy criticism.
I think that when he formed opinions and made a critical, it is preferable to see a real and give it a try and after only give an opinion or criticism.
For me, with the truss-rod cover I added that, in my view, it is perfect.
My only regret is that it took into account the opinion that in the end are not appropriate in my case.
Like what tastes and colors ...
Kilroy
A stock model exactly like the white/tort one on the site. I once contacted the compnay for info but missed their response. The finish has some flaws,Im pretty sure it was a second ( the body). The trem has been restored , works well, and the pick ups are decent. Nice neck, truss access is a pain in the neck. Just had it dialed in and it is a great US made Strat style axe. The neck pup sounds fantastic, middle and bridge good enough.
Not many of these around..? Hard to know. I never see them up for sale and I have put this one up in the past, no calls. That's OK as it covers strat territory well, and is more ergonomic than a strat. Maybe it will be a goofy kitsch thing in 30 yrs and people will want one. Not a cheap kitschy guitar.
Not many of these around..? Hard to know. I never see them up for sale and I have put this one up in the past, no calls. That's OK as it covers strat territory well, and is more ergonomic than a strat. Maybe it will be a goofy kitsch thing in 30 yrs and people will want one. Not a cheap kitschy guitar.
Playes great now. great guitar.
Covers lots of ground, nice axe.love the neck pup on this,round and punchy. the pots feel so good too. easy action and nice swell...nice neck,think its pau ferro board,birdseye neck,slim and compound feeling.no complaints at all, good quality wood,holds its tune.
I dont need this guitar but its pretty nice to have. I have 3 electrics(this one, a cheap tele,and a ce-22 wp90's)but mostly use the tele.
now with phat90's in my prs, that thing is a lot of fun,great pick up for a clogged humbucker guitar. it howls with single coil-y goodness.
oh yeah, the futurama rocks the strat turf. just beware the truss access at the body...under the pick guard.
now with phat90's in my prs, that thing is a lot of fun,great pick up for a clogged humbucker guitar. it howls with single coil-y goodness.
oh yeah, the futurama rocks the strat turf. just beware the truss access at the body...under the pick guard.
Made in Mexico. It has 21 frets with two single coil configuration. The bridge is a fixed stock Fender bridge. One control for volume and one control for tone. Has a three-way selector switch. Not sure what the neck is made of, but it doesn't feel like an expensive wood. The action is OK, mine needs a good set up.
The neck is OK. It doesn't play well since the strings are old and it is time to have it set up. With the double cutaways, it is easy to access the top notes. Unfortunately, with only 21 frets, you don't get much range. Being a smaller scale and what I consider a beginner guitar, this one is very light. It's your typical strat style design in a smaller, more 60's or 70's design. When this guitar was younger, it actually sounded decent, especially through a Fender Twin. It needs some TLC now, but I am unsure if that will even make it better for me than my beginner Ibanez. There simply aren't enough frets, and the guitar needs to be bigger for a bigger sound.
This guitar can do in a pinch if I break a string on my main guitar. Not exactly a metal guitar or even a shred guitar. It's nice for smooth, slow solos. It's also easier on the hands as it is a smaller scale, but that doesn't really help one's development and hand strength. I used to plug straight into whatever amp I was using at the time. Since I don't use this guitar much, it doesn't get plugged in to my current setup much. Like I said, it's not that great for metal or hard rock. But it can work for that jangly 60's and even 70's sound. I guess you could play Santana, or David Gilmour with it. There is a cool sustained harmonic that automatically appears when you play the 5th fret of the 3rd string, without having to pinch the string or purposefully attempt to create a harmonic. It is probably the coolest signature of this guitar. This is good, because I don't feel it has too many other cool features.
I bought this guitar to gig with my college band in the 90's. I haven't really used it much since. I just lug it around as a spare guitar, but usually I just keep on playing even with a broken string on my Ibanez rather than pick this guitar up and play. I like it's convenience, but it's playability and tone is barely adequate for me. I didn't try many other guitars at the time I bought this, because the price was right, and it's a Fender. If they had my Ibanez for the $200 purchase price of this guitar, I probably would have bought it instead. However, I have seen that these things go for $300 on ebay, which is $100 more than I paid, so they appear to be appreciating ! So I figure I can hang on to it so I can let it appreciate more so I can have more bargaining posture when I get my next guitar or even my next amp.
My RG120 is Japanese made. It has 24 frets with dual humbuckers. The bridge is a stock Ibanez bridge with tremolo unit. The amp has volume and tone selectors. It has a three way pickup selector switch. Not sure what wood the neck is made of, but it is your typical fast ibanez neck. It is thin, normal width and has small to medium size frets.
The neck, as with many Ibanez's has a very nice and fast feel. Because it is a twenty-four fret neck, I can easily get to that wonderful high E either by bending up to it, or by simply striking the 24th fret on the 1st string. Give it some wild vibrato and Yngwie would be proud! Cutaways are well cut such that it makes it even easier to access the top notes. The guitar is very light and is easy to move around with. With mine in black, it is very conservative and professional, yet the design still screams "rock star !" Controls are simple and spartan. I usually put the tone all the way. Volume knob depends on where I am in the song. I select the top (low end) pickup mode for smooth solos, and the bottom (high end/treble) pickup mode for rhythm playing and for screaming solos and finger-tapping. I do not use the middle pickup mode.
This guitar, even at entry level, is shred all the way. Just perfect for me. When I go play a Jackson or even a Fender stratocaster, which I used to play, I am out of my element. That is how much I like the way Ibanez's play. If I buy an upgrade guitar, it will most likely be an Ibanez. (I've already got my eye on one.) I play mine through several pedals, including a Zoom multi-effect. I play through a Hartke half stalk, a Fender stage 185, a Crate gx30m, and a Fender Frontman, as well as a combination of these. Even though this is a double humbucker shred guitar, I feel it plays clean sounds / jazz and blues well, at least in my style. The wonderful clean sounds from my Fender amps also help. This guitar is great for heavy music as well as soloing. Get it set up, and you understand why the Satriani's of the world can solo for so long! The only drawback of lower action is the fret buzz, but that may be my guitar repairman's fault, not the guitar.
I've had this guitar for about 3 1/2 years and have been using it a lot since. It's such a great guitar for the price. It has seen me grown leaps and bounds in my development as a guitarist, and it's only considered a beginner electric ! I wish it had a better humbucker in the bridge position (the one in the bridge position does not have as much volume as the one in the neck position.) I also wish it had a H-S-H configuration and a tremolo unit that doesn't make the guitar go out of tune, but that's what an upgrade is for. I didn't try many other models besides this one, and since I didn't try out a Jackson, Hamer, Bc Rich etc, I probably didn't need to. I think my choice at the time was great. I still want to keep using this entry level guitar, as I would rather upgrade my amps and effects before I do my guitar.


